Detail Accessory Shot
Collection: Lanvin Summer/Spring 2011(Paris)
I hope you didn’t think that my fashion week coverage was over! PARIS has only just ended my dear dahlings, and to me Paris is very much like New York! Well, not in terms of aesthetic or philosophy but in terms of the amount of shows I wish to cover. I mean in aesthetic, while New York is all about who’s new, who’s cool, who’s now, Paris looks more to the houses of old. When you hear the terms house DNA
or when critics begin to discuss designers rifling through the archives
, you’re more than likely discussing some Parisian house. I mean think about the Yves Saint Laurent issue: Pierre Berge wishes to end any further production to perserve the legacy of the YSL brand and the way that he attempts to thwart any designer that has been hired to head the brand, like Stefano Pilati, he makes accessing the archives, which are owned by a fund in his name, difficult. But enough about that, let’s get to Alber Ebaz and this Lanvin collection since we apparently have 3 more years to discuss Pilati and YSL.
My personal aesthetic is pretty minimalistic. I’m not afraid or ashamed to admit it. I love my aesthetic… which is why I attempt to maintain it. But the thing is, I LOVE to take my minimalistic aesthetic and use it to set off some accessories. To really put them on display! I mean since there ideally isn’t much going on with my clothes, besides attention to the cut and fall of them, I can indulge on pieces like the housefly featured above from the first look of the Lanvin collection. I can only say one thing to Elie Top… DIVINE!
The actual collection was marvelous to me. The hair slicked back in a, no nonsense way, it was immediately all about the garments. While I didn’t love every look, I certainly loved most of them. Beginning with a colorblocking motif, the collection goes from billowing to sheath in 8 looks. Skirt suits are then explored, with a slight experimentation of the cut of the arm before the collection begins to take the strands it has set up and weave them together blossoming into bright cocktail dresses. After dropping in a few swimwear looks, the collection goes back to a loser fit, examining the suit which appears to be a rain suit that has been put in a bag, had all the air vacuumed out, and then pulled out of the bag, left in it’s wrinkled state.
After addressing chiffon, the collection seems to step into the more ornate. Looks become jeweled even. The ending, a group set, seemed to come out of no where to me, had I not seen the house fly. The print of the group set evokes a tribal feeling to me, and once I began to mull over that my brain begins to step back into the area of the suits and I begin to consider suiting for a safari or rain forest. This makes me revisit the chiffon until I began to consider it as mosquito netting, and thus I have begun to rework the entire collection with my simple musing. But hey, whether I’m right or not… the collection is still stunning.